Film & Video (Film & Video)

David is a five-minute pseudo music video that features an upbeat melodic soundtrack with a duet by the artist Guan Xiao and frequent collaborator (and KADIST collection) artist Yu Honglei. Three screens display a collection of home videos filmed and uploaded by tourists at the Galleria dell’Accademia in Florence capturing Michelangelo’s eponymous masterpiece. The mass popularity and commodification of this artwork is further exaggerated with the numerous forms that we encounter and consume the image or likeness of the sculpture in our daily lives.

Film & Video (Film & Video)

This video was filmed in the middle of the Zagreb fair which took place in the 1960s and 1970s under the rule of Tito. Tito created the fair to signify the exemplary economic exchange between the East and West. The film’s setting takes place at the Italian pavilion, where several young people are seen sitting in cars, trying to repeat sentences in English.

Photography (Photography)

David Goldblatt’s “Boksburg series” is a telling portrait of the small town that became a notorious symbol of racism in South Africa. The photographic essay negotiates the troublesome landscape of the apartheid through capturing the intimate in-between moments that are seemingly inconsequential and visually inoffensive. However, it is in this series that Goldblatt provides a candid insight into the white communities during the apartheid.

Installation (Installation)

“On April 13 a painting was lost at JFK airport while going through the security screening. On April 19 a painting was lost at CDG airport while going through the security screening. On April 20 a painting was lost at DUB airport while going through the security screening.

NFT (NFT)

On March 30, 2015, at 5:52am, David Horvitz caught his daughter, Ela Melanie, as she was being born, in the back of an Uber driving through Midtown Manhattan. He held her up in the morning light as the car drove down Park Avenue, blocks away from the Museum of Modern Art, where Zanna Gilbert, the mother, was a fellow. After arriving at the hospital, Horvitz tweeted a photo and later e-mailed his friends and family with additional images.

Photography (Photography)

In the mid to late 70s David Haxton turned to photography, and similarly to his output in film, his photographs show reverberations of his perspective as a painter. As inferred from the title—and the titles of most of his work—Haxton has a methodical, near-scientific approach to studying and documenting the effects of light. In Holes in White and Holes in Cream with?

Film & Video (Film & Video)

16 films is a selection of David Haxton’s single-screen videos, which he began producing in the 1970s as a continuation of some of the conceptual underpinnings of his earlier film installations. As the described by Haxton, “[he] became interested in in examining the nature of the medium [of film] including light, movement, and the formation of a three-dimensional illusion of space in a flat surface.” This selection of films were produced in 16mm film between 1970 and 1982 and have been digitally mastered in high definition from the original 16mm films, which are preserved by the Academy Film Archive in Los Angeles. Reminiscent of the paired back, low-fi quality of other conceptual video work from that period, Haxton abides to a certain criteria to restrict aspects of the medium: he does not do any editing, always fixes the camera onto a single position for the whole duration of the films, and he limits the actions of the performers.

Photography (Photography)

In Are You Lonely Mr. Claus? , a bottle of whiskey, a red rose, a lit cigarette, and an assembly of kitschy Christmas memorabilia (Santa’s hat, a sugar cane) are displayed side-by-side with artifacts that denote some sort of (typically Californian?) summer leisure time (sea shells, sun block and goggles).

Photography (Photography)

In Eric Goes to Jail , a coffee maker, red lipstick, a pile of cash, some exotic parakeets, a brassiere, a bow tie, and a stained napkin scribbled with a phone number constitute clues to unraveling a mystery and invite the viewer to speculate about the events of the preceding night.

Installation (Installation)

The title of the work Eridanus refers to the constellation of the river of ancient Athens that meanders across in the night sky. The constellation is visible uniquely from the Southern Hemisphere. The artist evokes a story from the past, where with the installation of modern street lamps, has resulted in the residents of Paris being disturbed by the difficulty of seeing the stars in the sky as a result of light pollution.

Film & Video (Film & Video)

Political artist, painter, writer, performer, photographer, David Wojnarowicz, who died of AIDS in 1992 in New York City, was one of the leading figures of the New York Downtown artistic scene of the 80s. His use of image, language and collage generated a new method of idea communication. The series of five videos Collaborative Film Collection made in collaboration with Marion Scemama in 1989 is emblematic of his artistic practice, it unfolds through performance, films, photographs, texts and paintings.

Film & Video (Film & Video)

Political artist, painter, writer, performer, photographer, David Wojnarowicz, who died of AIDS in 1992 in New York City, was one of the leading figures of the New York Downtown artistic scene of the 80s. His use of image, language and collage generated a new method of idea communication. The series of five videos Collaborative Film Collection made in collaboration with Marion Scemama in 1989 is emblematic of his artistic practice, it unfolds through performance, films, photographs, texts and paintings.

Film & Video (Film & Video)

Political artist, painter, writer, performer, photographer, David Wojnarowicz, was one of the leading figures of the New York Downtown artistic scene of the 1980s. His use of image, language and collage generated a new method of idea communication. The series of five videos Collaborative Film Collection made in collaboration with Marion Scemama in 1989 is emblematic of his artistic practice, it unfolds through performance, films, photographs, texts and paintings.

Film & Video (Film & Video)

Political artist, painter, writer, performer, photographer, David Wojnarowicz, who died of AIDS in 1992 in New York City, was one of the leading figures of the New York Downtown artistic scene of the 80s. His use of image, language and collage generated a new method of idea communication. The series of five videos Collaborative Film Collection made in collaboration with Marion Scemama in 1989 is emblematic of his artistic practice, it unfolds through performance, films, photographs, texts and paintings.

Film & Video (Film & Video)

Political artist, painter, writer, performer, photographer, David Wojnarowicz, who died of AIDS in 1992 in New York City, was one of the leading figures of the New York Downtown artistic scene of the 80s. His use of image, language and collage generated a new method of idea communication. The series of five videos Collaborative Film Collection made in collaboration with Marion Scemama in 1989 is emblematic of his artistic practice, it unfolds through performance, films, photographs, texts and paintings.

Drawing & Print (Drawing & Print)

Immolation I is taken from the four-part Immolation series which shows four Arab revolutionaries who publicly sacrificed themselves through self-immolation and in so doing heralded the beginning of the Arab Spring. The lugubrious drawings are made with cigarette burns, a direct reference to torture and burning stakes, even if what is depicted here can be considered the ultimate act of resistance in the form of self-destruction. The portraits were meticulously executed on large-scale fragile sheets of paper.

While Untitled (Shuffle) presents the same formal characteristics as the rest of Berman’s verifax collages, this constellation of specific images inside the radio’s frames—the Star of David, Hebrew characters, biblical animals—have Jewish symbolism and attest to the artist’s lasting obsession with the kabala. The piece’s sub-title, “Shuffle,” suggests the presence of chance and randomness in any given organization of elements.

Photography (Photography)

A subject’s back stands before a landscape of mountains, arid and majestic, Der Wanderer 3 revisits the theme of man versus nature dear to Romantic painting and the paintings of Caspar David Friedrich in particular. “From him I returned to the theme of the character turning their backs to the viewer. I love the back.

Drawing & Print (Drawing & Print)

In 2010, Kadist Art Foundation, David Roberts Foundation and Nomas Foundation successively presented an exhibition of the work of Etienne Chambaud in collaboration with Vincent Normand: The Siren’s Stage / Le Stade des Sirènes. For this project, Etienne Chambaud made The Exchange (The Horse) . A contract was written with the lawyer Daniel McClean to establish the conditions for the exhibition and conservation of copies of the sculptures exchanged between the collections of these three foundations.

Film & Video (Film & Video)

As the video Datamosh begins to play, Yung Jake emerges out of a colorful, smoke-like background and breaks into rap. Malfunctioning green screens and pixelated digital mash-ups bleed into each other in a parody of the music video trope and specifically of the trend of ‘datamoshing’—a digital technique commonly used across this genre. The song’s lyrics distinctly borrow from the lexicon of rap, combining mentions of clubs, money and fame, with self-referential and humorous lines that literally describe the way in which the artist subverts the medium.

Drawing & Print (Drawing & Print)

Sung Hwan Kim created the drawing push against the air 01 during a rehearsal for his eponymous 2007 performance at De Apple (as part of Prix de Rome), Amsterdam, and Project Arts Centre, Dublin. For the performance, Kim interviews his frequent collaborator David Michael DiGregorio and a fellow musician, Byungjun Kwon, about love songs they have composed. The performance appears spontaneous and creates a space of vulnerability and intimacy, however in reality, the three rehearsed the performance numerous times and performed it in numerous cities.

Painting (Painting)

Both Head-Portrait with Red and Blue Background and Man with Blue Tie are classic examples of Weeks’ deftness of line, shape, and color. These two works illustrate his signature flattened style -a vast departure from figurative painting of the time- and hints of influence from modernist painters like Henri Matisse and Maynard Dixon, although with a somewhat darker tone. Both figures stare with with expressionless faces and hollow eyes.

Textile (Textile)

The title of this work by Egle Jauncems, The Paler King I , is taken from an unfinished novel by the late David Foster Wallace called The Pale King, published posthumously in 2015. Jauncems notes that the book is fragmented, following unrelated characters struggling with ennui and depression, navigating the pressures of modern reality. In her art practice, Jauncems has been interested in the lives of powerful and influential men for many years.

Film & Video (Film & Video)

All Watched Over by Machines of Loving Grace takes its title from a 1967 poem by American writer Richard Brautigan, which describes a utopian future where computers are in harmony with and protective of mankind and nature, performing all the necessary work while we retreat back towards nature. In Sisto’s work, a computer generated voice recites Brautigan’s poem while a series of digitally rendered 3D objects with a sleek, mirrored finish, float weightlessly across the screen. Sisto’s work also shares its title with the 2011 BBC documentary series by filmmaker Adam Curtis, which has the view that computers have failed in their task of liberating humanity and have instead created a simplified and distorted world around us.

Drawing & Print (Drawing & Print)

This score is a graphic record of the detailed choreography of one of Anthony McCall’s Landscape for Fire performances. These took place between 1972-74 in the UK at the Museum of Modern Art in Oxford, Colchester School of Art, in Reading and in North Weald as well as in Sweden at Fylkingen Society of Contemporary Music and Arts, Stockholm, and in the USA at the William Patterson University, Wayne, New Jersey. Many of these events were photographed by David Kilburn and Carolee Schneemann, only one in 1972 was filmed.

Drawing & Print (Drawing & Print)

The Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East. Each reconstituted ‘hand of play’ corresponds to a diplomatic treaty establishing or modifying geographical borders. The plastic form of a poker hand chosen by the artist highlights the randomness of the process of fixing boundaries and the way in which they do not account for the lives of those located there.

Drawing & Print (Drawing & Print)

Bassoonist

Drawing & Print (Drawing & Print)

Violinist

Painting (Painting)

Both Head-Portrait with Red and Blue Background and Man with Blue Tie are classic examples of Weeks’ deftness of line, shape, and color. These two works illustrate his signature flattened style -a vast departure from figurative painting of the time- and hints of influence from modernist painters like Henri Matisse and Maynard Dixon, although with a somewhat darker tone. Both figures stare with with expressionless faces and hollow eyes.

Film & Video (Film & Video)

An early work in Sung Hwang Kim’s career, the video Summer Days in Keijo—written in 1937 is a fictional documentary, the film is based on a non-fiction travelogue, In Korean Wilds and Villages , written by Swedish zoologist Sten Bergman, who lived in Korea from 1935 to 1937. In Kim’s film, a Dutch female protagonist traces Bergman’s path in the present-day Seoul (Keijo was the Japanese name for Gyeongseong, currently Seoul). The protagonist navigates through spaces that have been rebuilt since the 1950s onwards, and the scenes are narrated by a voice-over based on Bergman’s written description of the modern city in 1937.